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The fur of the drum

, several hours on board of ferries as well as secluded beaches gearing up better with enough holiday reading. I chose this summer to Matins by Arturo Perez-Reverte , the thickest book on the pile of loan my friend L. and I have enjoyed reading very much. A warning is appropriate introduction, however: As the title suggests , this is as it were a Catholic crime, and who are religious, but above all political machinations within the Roman Curia irrelevant or uninteresting place, which will be bored Matins passages as bad. For the book draws its power in large part from the collision just this intrigue with the reality of the faithful out there in the world. His hero Lorenzo Quart is a priest and an agent of the Pope's secret service, an institution for the "Christian" a very inappropriate adjective. He was sent to Seville to investigate a disturbing-curious history: in the middle of the city is a decaying church to be torn down, defended the will of an old priest and a small band of true believers - and apparently quite defend even himself knows, in any event are at the last time two people on something suspicious manner in the church died. The story is the Holy Father himself been brought to my attention via a message from a hacker (alias Matins) on his home computer, and therefore should now look the best man in the Vatican on the spot.

The sounds all a bit contrived by the hair, I know, and indeed it is: The Search for the hacker, which gives the book title and plot turns out to be ultimately as unimportant. This is not Whodunit . Rather, it is (on the large, fragrant stage of Seville) is a finely orchestrated ballet of a pretty colorful cast. The old church of Nuestra Señora de las Lagrimas connects them all: those who want to demolish them - the Archbishop and a cunning upstart unsavory of bankers including factotum - and those they serve and protect: the rebellious Padre Ferro and his colleagues, who in addition to Vicar and restorer also Macarena Bruner, the no-longer-really-wife is one of the banker. And as you move in a historical setting, connect to these characters in a parallel plot, two unhappy lovers from long ago. Pérez-Reverte follows Lorenzo Quart through the streets and palaces of Seville, confronted him with these actors, it looks here and there a thread of understanding and link catch look in vain, it can slow the trust of certain people and see the hostility of others. Ultimately, nothing scientifically correct and bureaucratic, distant education: the ruthless when necessary priest, his measure shirts with with clerical collar like a knight's armor entangled himself with head and heart in the case, should investigate it, and is the fate of the old church his own.

All of Pérez-Reverte develops fine and yet colorful, most with great pleasure telling. To bunt him is only the would-be thieves Trio get that is to intervene on behalf of the Secretary of the banker in history and how a changing accumulation of clichés daherpromeniert. But when he and the discussion on the role of the church in the world and engagement with the agonizing Shadows of the past of Father Ferro, Lorenz Quart Macarena Bruner and brings together, is of a wise intensity.

Product: Arturo Perez-Reverte, The Seville Communion . Novel. From the English by Claudia Schmitt. Munich, btb 2007th ISBN 978-3-442-73721-5. The original appeared in 1995 under the (much more appropriate) title "La piel del tambor" in Madrid in Alfaguara (ISBN 978-84-204-7206-5).

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to run away

The world week for the second time a ranking of all Swiss communities created (articles not freely available online) . Winner, as last year: Feusisberg in the canton of Schwyz. In the brief characterization of the best community of Switzerland, we read the following:

More and more residents are moving away from the idyll. With them, the next generation. Already, discussions on the children, because of the lack of multi-year transition classes in primary schools to introduce. What parenthood little pleased. The culprit is the low tax policy community. It

the World Week is to their credit that they, the problem of progressive " Zugisierung " after all, a discussion of possible counter measures. Credible had these discussions, however, if they had any influence ranking again. Common sense in any event is not obvious that a community of people run away, the number can be one.

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The Lord Charles

Vienna, in the basement of a delicatessen shop, in the late fifties. The protagonist heruntergeächzt comes with a soda crate the stairs The Lord Charles , about as old as the century paragon bacon have become self-righteousness. With the adaptation of the classic monologue of Helmut Qualtinger the theater opens at Effingerstrasse the 2010/11 season. Directed by Stefan Suske , and on the stage out Uwe Schoenbeck during a half hours, the big word. He told the young fellow next door patronizing-jovial his life, and how he spread his vast experience, his keen insight and his continuous professional and personal success in front of him, it soon becomes clear that Gross is on that Crawford only the mouth.

is unique, as razor sharp Qualtinger his anti-hero can expose himself. He will listen to him just makes him caught up to rave about yourself, look back in a mixture of pride and contentment in his life, only occasionally mark with flying hamster cheek pain and shock - and so until the bare bones. Comes to the fore a would-be ladies' man, a suburban-Don Juan, of any woman let go by even a fraction of what he took for himself to complete. Comes to the fore an unscrupulous opportunist who arranged themselves in flying sequence with the Socialists, the Nazis, the Russians and then the Americans, not just be all straight tendered - just like he also now practiced kindly to the head of the upper floor and kowtowing, only to the protection of his basement immediately foul heart's content about them. Finally comes to light a petty-bourgeois soul, a slacker who if all his protest, as he had done great things, in the duration of the play just six bottles on the shelves removed (and in return half the Cognac reserve behind the binding pours). The punch lines fall in rapid succession in rapid succession, are always delicate and often only hinted at, but again sometimes so terrifying that one stays away the spittle. aired

As The Lord Charles 1961 for the first time in the ORF, the outcry was enormous. Apparently some had recognized something of himself in the guy again, who wanted to cover with a mixture of condescension and dismayed that he had his life by cheating and hung his coat in every wind had, whether it was blowing from left or right. But this type of course, is not bound to any particular era, but as timeless as all human Weaknesses and quirks. The decor of the late fifties but puts a slight patina on the story, but Uwe Schoenbeck wiped it away once again. He plays his master Karl sovereign makes him Carmi, promote understanding, establish its own rules, and cheerful almost bursting with self-satisfaction and self-centeredness.

Technicals: The Lord Charles is at the Effingerstrasse until 27 September 2010 on the program . For further reading, I refer to the reports of Federation , Berner Zeitung and the of Fritz Vollenweider Seniorweb. The original, played by Helmut Qualtinger, is found on Youtube .

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Spartacus

Spartacus is now one of the most ancient name - thanks to Hollywood , various revolutionary groups and forget a professional cyclist . That that reputation is not undeserved, as the Catherine Salles' monograph 73 av JC, Spartacus et la révolte of GLADIATEUR , a clever, accurate book that is completely free of the otherwise artificially heavy French language of scholars. Salles is characterized on the basis of the few remote sources to the life and work of the famous ancient slave revolutionary. Born around 100 BC in Thrace, from the Romans for military service obligation, deserted, was captured and sold as a slave in Rome, he arrived in the gladiator school of Lentulus Battiatus Capua in Campania . There, he managed to allegedly with the help of his partner, a versed in mystical cults priestess to unite his fellow sufferers to resist and escape from the school. Fast the little groups of 70 gladiators grew through the influx of slaves and poor peasants in a band of pirates by ten thousand men, who, by the well-trained professional fighters led and trained, the Vesuvius area plagued with robberies. They met little resistance at first: the police wanted do not engage properly in an undignified struggle against the (in their eyes) the scum of society, and the lack of police units that were sent to meet her, was able to dominate the already large group of slaves without problems. She grew up in contrast to a regular army of seventy thousand soldiers, well armed, organized and conducted properly taut. It is unclear, their real target: the slaves wanted to return to their homeland? If they wanted to settle permanently in their own state? If they wanted to strengthen their movement in other parts of Italy even further? If any part of the army to the south, the greater part followed with Spartacus at the top of the north, struck several times, the Roman Legions, who opposed him, turned not against Rome, but returned to southern Italy, where Spartacus Thurium vain in the Gulf of Taranto, was trying to set up. After over a year in which he had presented to the Roman troops almost at will, it arose in the person of the wealthy, ambitious and unscrupulous Crassus finally an overpowering opponents. Even though he was played out several times, but finally put the uprising (and its leader) to a bloody end.

During his two-year revolt in Spartacus proved quite obviously a charismatic personality, capable military leader and skillful Tactician. What it also so interesting are the parallels between his and the various other slave revolts in the 2nd and 1 Century BC The main elements meet again and again: the important role of the rousing, often with the gods in particular related leader, or the confederacy of the rebels with other disadvantaged people of their time such as the rural poor and the initial under-estimation by the authorities, which can not struggle through really seriously against the supposed sub-human, that is, with enough troops to act powerful. Thus achieved individual revolts of slaves an amazing life and resistance; in Sicily, built the Syrians Eunous in the years 139-132 BC, even a real kingdom where the slaves lived for years alone. Unifying was also constant every time the hopelessness of rebellion, that - as soon as Rome had once decided seriously to combat it - was brutally and completely. Of special, exemplary cruelty is the triumph and punitive measures of Crassus, who had to beat 6000 The Fellowship of the Spartacus along the 195 kilometers of the Via Appia from Capua to Rome to the cross.

Catherine Salles sees and describes the series of riots as a typical consequence of the slave system the late Roman Republic. Or more precisely, as a consequence of the worsening relationship between masters and slaves. In the last two centuries BC, he enlarged the number of those massive, which were hurt as prisoners of war or as a pirate booty into slavery. The excess supply of slaves enticed to use them in a large scale and with almost no regard for the loss. And these harsh living conditions which had to appear particularly unbearable, the free-born and first became slaves by captivity. The frequency and intensity of slave revolts then subsided as the dried up two sources of wars of conquest and piracy, as the proportion of already Captive-born slaves and rose again at the same time as the brutality of men against their "talking property" returned.

Finally, the revolt of Spartacus, as it also be read as a spotlight on the crisis of the late Republic. The subject deserved a more comprehensive employment (and the relevant literature here is already ready). Salles, however, already provides a precise and lucid analysis of an overpowered by his own successes city-state that is within a few generations, become a world empire, but still performed by the same institutions, governed by the same handful of noble families. Often frightening unable, in the glory of their family history frozen in the trade have become rich by, but politically influential little knights pressed, rubbed on the aristocracy in factional fighting and civil wars. Its decline was the decline of the Roman Republic, and it seems only logical that throughout the first century BC, some "strong men" dominated the fortunes of Rome - a development that culminated in the Augustan Principate, the Empire. The real victims of this century-torn, brutalized slaves and the impoverished small farmers, remain largely mirror nameless. The slave revolt of Spartacus, they moved short, but abruptly the bright stage lights of history.

Technicals: Catherine Salles, 73 av JC, Spartacus et la révolte of GLADIATEUR. Bruxelles, Editions Complexe 1990/2005. ISBN 2-8048-0053-9. (I should here like to have a weblink to the book, but the site is by Editions Complexe follows an angle that I have failed. Or anyone ever saw the midst of a catalog search a link to "cheap dell laptop batteries online? Well or the demise of the printed book seems unstoppable ...)

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dancing around pillars

I do not want to overdo the praise of the town, but a cultural Short trip before the summer break to be here but yet mentioned. He led us to Neuchâtel, in this lovely, with Freiburg comparable in some city. The occasion was the festival neuchâtel scène ouverte , a free dance festival, which has been now seven years of the yellow stage of Neuchâtel and some walls recorded - and this long for two full weeks. On the way to the Hôtel de Ville we heard at first a song: same day there was a choir meeting, in which the city Saturday morning audience was involved and generously granted. You will understand that I appreciate a city happy, the middle Summer has such a lavish supply of public culture exhibit! But now the dance: Come, we were due to Attention à la marche the Compagnie pas perdus . Your theater room was give the lobby of City Hall, a large, T-shaped room, the two massive colonnades the necessary Republican gravity. Between the pillars and under the auspices walked or rested already a good dozen dancers. We also set up discreetly as possible, and watched how the initial, warm-up movements slowly compressed to a beginning. This has been marked - and with it the whole piece - by the music. A bewildering variety of instruments were ready, which all looked like they were taken directly from an unknown, dark cult. A shaman-like multi-instrumentalist brings them to life, rhythm and noise generated, shrill, throbbing, piercing, and drove the dancers through space, toward and away from each other, to remote corners and then right through the audience. The pillars blocked the view that Mitzuschauenden hindered the movement: How well did each of those present another piece, a unique combination of movement shreds and music from all sides, but also from the rhythm of bare feet on the stone floor, the heavy breathing of a dancer and the draft of a rushing dancer. I let my intuition to move through space, was always looking after the heart of the action and was more intense details that I had not even sought. In short: Attention à la marche was a compelling theatrical work of art that was pleasing from the large audience given a warm applause.

And to come back to the eulogy at Neuchâtel: There have been rounded off to the summer theater trip with a cider in the Brasserie Le Cardinal , a sandwich on a lake, a refreshing swim in it; strengthened equally and in body and spirit and relaxed beat We go home one.