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Greek history

From my New Year's resolution me using some standard books from my library again something deeper into that matter read that I was once the most familiar of all, I am sure towards the end year still. After all, what little I've done in this regard, already led to a first stabilizing the faltering threatening knowledge building - at least in the field of archeology. But when I recently took Erich Bayer Greek history in broad in attack came on the first of the sneaking suspicion that, although a standard work that could have perhaps passed their expiry date already: This book is published the first edition in 1964, my copy The sixth edition includes the revised text of 1978 and it quickly becomes clear that Here's a historian at work, told in the scholarly, literary language, history, is not afraid to weigh and evaluate even occasionally. My doubts culminated in the last section of the introduction, where Bayer is committed: To

their art, their literature and philosophy sake of our heart belongs to the Greeks, their history, however, we feel confused and unsatisfactory.

What is not?, I wondered, and turned the pages more hesitant. After reading I have to admit that I have done wrong to the author in advance. Of course, he says with a big gesture and weighted it (despite much notice on the cover) is very classic; but his introduction of work has a distinct advantage: it succeeds him from his magisterial position herauszuschälen each of the main lines and the essential questions at any time. That always means a dramatic reduction with the absence of very many things at the same time set up for the list seeking a reduced, stable frame - and that's exactly what I want. Bayer treated the Aegean Bronze Age to the "Dark Ages" into it although very brief, but strikes out the importance of overpopulation, lack of resources and resulting migration. He identified the archaic period as Main theme to replace the aristocracy by new forms of political power distribution, which resulted in many places in very refined democratic systems. At the same time he puts the size of colonization in the spotlight, pointing to the references to the political upheavals and the older companies like nature. Or, as the last example: twenty pages to the Hellenistic World played almost without exception in Asia Minor and the Levant, clear expression of the case into irrelevance, which had done the Greek mainland by then.

speaks from the structure of the book, the weighting and the narrative style something very old-fashioned: the love of the author to the players of his material. This to show so clearly is, in the historical literature of our time rather frowned upon. She remembers this but the reason why we now employ at all with the ancient Greece: Because just a long time many learned men had not only an abstract and academic interest in this subject, but loved the ancient Greeks, they understood as role models and sought to emulate them.

Technicals: Erich Bayer, Greek history in Broad (Broad, Volume 1). Darmstadt, Wissenschaftliche Buchgesellschaft ⁶ 1988th Out .

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Buzzword Bingo

The type of do-it-yourself Pavlov's dog- in politics is not rare: The identified with more or less effort one (alleged) grievance, stuck on it a catchy slogan - and can then respond to your heart's desire it. Who, however, in this practical way its charms himself created equal, must be careful that it does not foam at the mouth of the distorted perspectives. In his weekly Buzzword Bingo in the World Week Christoph Mörgeli recently took an assignment to target and colleague wrote: "Mrs. Amacker the state-controlled parliament leaves and moves to the state-controlled Swisscom." As far as ideology I'm already almost physically hurt. As an indication of self-medication and a (pious) request: Parliament is not government-controlled but constituent part of the state, and it is controlled by the people through elections. May the Zurich voters this control in a year's exercise with a sense of proportion!

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Tamara Drewe

What a perfect setting for a comedy: a Writers' Retreat , a literary guest house in the very rural Dorset, including garden and small animals, where a casual a whole panoply of bizarre characters, the honor is. A colorful little group more or less successful authors runs a creative break back into the country, including the ever-brooding and indecisive literature professor Glen, of his major work of Thomas Hardy simply unable to turn. care of all these in the failure of nascent lives with scones and cakes with love and caring the careworn Beth Hardiment, whereas her husband Nicholas as a guiding spirit this creative random pile with a flourish together. He does so as a successful author inferior thrillers, however, far more convincing as a gifted actor as a heartthrob, and especially when he and his wife all the half-length play to be warmly felt remorse because she once again will throw for an affair with a young author from the house. As an additional and eponymous ingredient in this fragile idyll appears then the former ugly duckling of the village, which had now set up his nose, has achieved professional success and otherwise does a fine figure: Gemma " Strawberry Fields " Arterton as Tamara Drewe . As she returns now seemingly innocent and with endless legs into the village of her youth, she takes care of the general hormone push that around them triggers a hearty hurricane. The characters in it are her school sweetheart, her new affair (one directly to the mail order catalog for hallucinogenic substances sprung Rock musician) and two girlies, whose enthusiasm for this very glutäugigen Drummer intrigues complicated even further while bringing forward. Since fib is uninhibited and deceived, because flying pans and pots, as it bounces in different situations and with different motives into bed.

The template for Tamara Drewe , the latest film by veteran Stephen Frears is the graphic novel (more than graphic novel , to be exact) the same name by Posy Simmonds . Moira Buffini screenwriter , the sarcastic and profound History of a rotation, where the absurd comic, also has pace, wit and a certain lightness into it brought, and multiplies the literary allusions to Thomas Hardy's Far from the Madding Crowd (which I for incorrect knowledge of English literature is not here delve into). The end is less bloody, but - after all, this is a British comedy - still grim enough. At some point, then strapped Tamara Drewe, which, in its naivety around so everything has been done. To reach this finding, it must get involved, however calculated and relatively long with the main bad guy of the film. Is it revenge? Is it naive? The collateral damage are high, but in the end everyone will get what is rightfully his - or, more precisely, will his true desires and dreams (again) conscious and ceases to pursue the wrong goals. Even the stressed cows calm down again, and so will be good.

Technicals: Tamara Drewe be seen from today in the German-speaking cinema. The original book was published in English on Jonathan Cape (ISBN 978-0-2240-7817-7), in German at Reprodukt (ISBN 978-3-941099-31-9).

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ship reading

In Astypalaia , a few days before the holidays end, was Matins read - though I had laid down their precious reading generous with Sudoku puzzles. Fortunately, there are on this beautiful island in the wind as a general store worthy of the name yet. Before the cheese display case right next to the washing bay is because that is a small frame with a very fascinating selection of books: not the usual selection of best-sellers and kiosk kitsch novels, but real literature is mixed, even with a few volumes of poetry. This came to me and was called as reason enough to finally a work of Nikos Kavvadias to be addressed: Το ημερολόγιο ενός τιμονιέρη ( The Diary of a tax man ), a collection of his early, scattered published prose and poetry.

In a few other authors, the unity of life and work is so highly as Kavvadias. He embarked immediately after school as a seaman, worked his way up, drove on it after World War II for three decades as a radio operator, the oceans, died shortly after retirement, when he would not tolerate the mainland, and he wrote about the marine, of sailors and prostitutes, about foreign countries and major ports, of wanderlust and loneliness. His (very clear) Work thus describes his life, his life is like a commentary on his work. And this is from the very beginning, even in his very first prose pieces collected in this volume.

is true there is something special, an author first of all the early reading so early work. It is exciting to retrace the development. Kavvadias' first poems are still plenty of awkward, as it were teenage poetry, but soon they will be formally rigorous and complex content - Arabic so the dense, dark Kasbah an enigmatic prostitute. The short, short story-like pieces in turn orbit from all sides of the poet's life theme that evoke fear and solitude in the depths of the Pacific plates, with wistful fascination with mythical cities and islands and spin yarns openly. The short, sometimes fragmentary form can not, however, more than a sketchy hints, what is occasionally a bit clichéd and pretentious. Helping with the classification of this reading would probably Kavvadias later writings, and it would be safe now to take profit with his main work in attack, the amendment Βάρδια ( The guard ). On the next ferry, perhaps.

Technicals: Νίκος Καββαδίας , The Diary of a helmsman . Athisafrista prose and poems. Athen, Agra ³ 2009. ISBN 978-960-325-609-0. Auf Deutsch ist von Kavvadias bisher nur (anlässlich der Frankfurter Buchmesse 2001 ) " Die Wache " erschienen (Berlin, Alexander Fest 2001, ISBN 3-8286-0168-5 - zurzeit offenbar leider vergriffen ).

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